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	<title>Book Revu</title>
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	<description>celebrating the art of reading</description>
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		<title>Collapse of Distinction</title>
		<link>http://bookvu.wordpress.com/2009/03/22/collapse-of-distinction/</link>
		<comments>http://bookvu.wordpress.com/2009/03/22/collapse-of-distinction/#comments</comments>
		<pubDate>Sun, 22 Mar 2009 07:43:33 +0000</pubDate>
		<dc:creator>bookvu</dc:creator>
				<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[strategic planning]]></category>

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		<description><![CDATA["The main point I want you to consider is that imitation usually generates neither passion nor distinction. If you are copying others-even if you are imitating the best-you are propagating a “me too” approach that will continue to cast you adrift on the sea of sameness.”  <a href="http://bookvu.wordpress.com/2009/03/22/collapse-of-distinction/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bookvu.wordpress.com&amp;blog=6788737&amp;post=30&amp;subd=bookvu&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><strong>Title</strong>: <em><span style="font-size:12pt;font-family:&quot;">Collapse of Distinction</span>: <span style="font-size:12pt;font-family:&quot;">Stand Out and Move Up While Your Competition Fails</span></em></span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><strong>Author</strong>: <span style="font-size:12pt;font-family:&quot;"><a href="http://www.scottmckain.com/" target="_blank">Scott McKain</a></span> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><strong>Publisher</strong>: <a href="http://www.thomasnelson.com/consumer/product_detail.asp?sku=1595551859" target="_blank">Thomas Nelson</a>     </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><strong>Publication Date</strong>: February 10, 2009 </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;">ISBN-10: 1595551859  </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><span style="font-size:12pt;font-family:&quot;">ISBN-13: 978-1595551856  </span></span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><span style="font-size:12pt;font-family:&quot;"><span style="font-size:12pt;font-family:&quot;"><a href="http://collapseofdistinction.com/"><span style="color:#800080;"><strong>http://collapseofdistinction.com/</strong></span></a></span></span></span></span></p>
<p>There are few subjects more timely than the one tackled by Scott McKain in his new book, <em>Collapse of Distinction</em>, in which the author describes “<em>a cultural phenomenon of epic proportions</em>”, namely, the descent of the corporate and professional spheres into a “<em>nightmare</em>” of boring &#8220;<em>sameness&#8221;</em> and “<em>homogenization</em>” that is “causing a customer revolt.” Regardless of your orientation, <em>Collapse of Distinction</em> is worth reading because it sheds light on the “<em>reasons behind the current quagmire of stifling sameness</em>” and provides detailed, stepped tools the author avers will launch you miles above the competition.</p>
<p class="MsoNormal" style="margin:0;"><img class="alignright" title="Collapse of Distincton" src="https://images-na.ssl-images-amazon.com/images/I/51MmvJrv2WL._SL110_.jpg" alt="" width="70" height="110" /></p>
<p class="MsoNormal" style="margin:0;">The reasons why “<em>every tree looks exactly alike</em>” or why “<em>distinction has collapsed into beige uniformity</em>”, are minutely detailed in the first three Chapters of the book, which succinctly details the path into the descending abyss of uniformity. There, Mr. McKain paints a riveting pastel depicting how both businesses and individuals destroy differentiation and therefore distinction by (a) competing against each other [as opposed to competing for customers by focusing on the customer’s desires or the customer’s experience]; (b) the frenzy of duplicative imitation and (c) complacency or taking customers for granted.</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">This sad state of <em>sameness</em> is conveyed with quite a bit of humor and flair. For example, one of the earliest descriptions, which is tied to the book’s major theme and motif [that “<em>different is better</em>”] is the author’s experience in Red Square, in the former Soviet Union, when he was identified as an American by reason of his colorful clothes, among other characteristics. Significantly, the author employed similar story techniques throughout the text, which I believe is another reason why readers will find it easy to connect to the message.</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">Having laid bare the reasons why business descended into non-distinction, the author then moves on to his stated purpose of teaching managers how to “<em>rise above the fray</em>.” This is accomplished by adopting the author&#8217;s four <em>Cornerstones of Distinction, </em>successive, cumulative steps that Mr. McKain insists a company needs and must employ in order “<em>to step away from the competition</em>.”</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">To deliver his message and elucidate his theme that <em>Distinction</em> has fallen on its face, McKain uses a number of innovative approaches to drive his points home. Beginning from the <em>Introduction</em> and throughout each Chapter thereafter, the author posits an <em>Executive Summary</em> of the material presented up to that point. This is an effective learning tool as the concepts covered are reinforced. The author also spells out <em>action steps</em>, <em>questions</em> and <em>ideas,</em> what amounts to an interactive that actively encourages the reader to pull out a notepad and analyse his own situation. <span id="more-30"></span></p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">Another innovation is the author’s use of what I call the “postcard” technique of storytelling. Postcards foster experiential learning in that the technique involves the gathering or collection of a wide range of ideas, stories and insights, which are then condensed and used as the common metaphor that facilitates the connection between the picture evoked by the author’s story [<em>Distinction</em> down the drain] and the message or learning the metaphor seeks to convey.</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">For example, in the introductory story about the nature retailing, two restaurants located in the author&#8217;s hometown serve as a metaphor for &#8220;<em>copycat uniformity</em>&#8221; and the resulting death of a business. Another example is the depiction of the most recent U.S. Presidential campaign as a metaphor exemplifying the seamless execution of the four <em>Cornerstones</em> touted by the author.<em> </em>The use of the postcard technique is one of the reasons that <em>Collapse of Distinction</em> delivers an interesting read from beginning to end. <em> </em></p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">One of the most memorable passages pertain to a statement by a seasoned Film Critic in response to Mr. McKain’s perception that critics offered glowing reviews of foreign films: “Don’t you see…Those little, offbeat, quirky, odd foreign or independent films-like the one you were in, <em>Stroszek</em>-they capture our attention because they are a bit different! When you are overwhelmed with such boring similarity, you begin to perceive that <em>different is better</em>!” Chap. 4, p.72.</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="margin:0;">And there is more, including:</p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="text-align:center;margin:0;"><em>“You have to screen-test your story&#8230;” Chap. 7, p. 173.</em></p>
<p class="MsoNormal" style="text-align:center;margin:0;"> </p>
<p class="MsoNormal" style="text-align:center;"> <em>“ALL Business Is Show Business.” Chap. 8, p. 193.<span>    </span></em></p>
<p class="MsoNormal" style="text-align:center;"><em></em></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:small;"><span style="font-family:Times New Roman;">In conclusion, <em>Collapse of Distinction</em> is a business marketing manual that should inspire contemplation, reflection and the desire to take immediate action. Except for a minor editorial error in the final <em>Executive Summary</em> on page 205, which I suggest is irelevant, I assign McKain&#8217;s work an overall rating of 8, on a scale 1-10. The book is superbly organized, mostly cogent and extremely engaging. Further, the author does deliver on his promise.</span></span></p>
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		<title>Author&#8217;s Rights Trump Kindle 2</title>
		<link>http://bookvu.wordpress.com/2009/03/02/authors-rights-trump-kindle-2/</link>
		<comments>http://bookvu.wordpress.com/2009/03/02/authors-rights-trump-kindle-2/#comments</comments>
		<pubDate>Mon, 02 Mar 2009 06:36:54 +0000</pubDate>
		<dc:creator>bookvu</dc:creator>
				<category><![CDATA[authors rights]]></category>
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		<category><![CDATA[kindle 2]]></category>

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		<description><![CDATA[Purchasers cannot solely have the right to convert an author's written work to speech because this would accomplish a unilateral and impermissible bundling of e-books and audio books by fiat of an electronic book reader and e-book distributor. <a href="http://bookvu.wordpress.com/2009/03/02/authors-rights-trump-kindle-2/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bookvu.wordpress.com&amp;blog=6788737&amp;post=3&amp;subd=bookvu&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I found the appropriate subject for the first post to Book Revu: I read <a href="http://tech.yahoo.com/news/afp/usitinternetkindleamazoncopyright">here</a> earlier today that the online mega bookseller <a href="http://www.amazon.com/ref=gno_logo_kinh">Amazon.com </a>is &#8220;yielding to concerns of authors by letting them selectively silence a read-aloud feature in Kindle 2 electronic book readers&#8230;&#8221;</p>
<p>The <a href="http://www.authorsguild.org/">Authors Guild</a> position is not unreasonable. While &#8220;talking books&#8221; may fill the needs of those who are unable to access print material because they are blind, visually impaired or maybe downright illiterate, Amazon&#8217;s <a href="http://www.amazon.com/Kindle-Amazons-Wireless-Reading-Device/dp/B000FI73MA">Kindle 2 </a>effectively audiomates copyrighted work without the prior consent and permission of the respective authors.</p>
<p>By allowing authors the choice of silencing Kindle 2&#8242;s &#8220;read to me&#8221; feature, Amazon can dull the criticism that it unilaterally sought to create an audio book, thereby <a href="http://www.authorsguild.org/advocacy/articles/e-book-rights-alert-amazons-kindle-2.html">bundling</a> the latter with its multi-million dollar <a href="http://en.wikipedia.org/wiki/E-book" target="_blank">e-book</a> business. There is also the question of spearheading another claim, print disability, under the <a href="http://www.eeoc.gov/facts/fs-ada.html">Americans with Disabilities Act</a>, however that is the subject of another post in a different forum.</p>
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